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Kanye West The College Dropout Rarlab

Kanye West The College Dropout Rarlab Rating: 8,4/10 5798reviews
Jesus Walks

Kanye West gained notoriety as a producer-for-hire before The College Dropout shook hip-hop to its core. The mix of styles and subject matter is breathtaking. After the success of his song 'Jesus Walks' from the album The College Dropout, West was questioned on his. Kanye West would be the first person to tell you he.

College Dropout Mini-Course Syllabus Week 1: Allow Myself to Introduce Myself. Discuss humble beginnings making beats in bedroom, car accident in October 2002 that nearly killed him. Consider rise to fame: Currently has three singles in the Top 20 ('Slow Jamz', 'You Don't Know My Name', 'Through the Wire') bearing his name. Compare/contrast rise of hip-hop artist/producers with singer/songwriter movement of 1970s; Is Kanye West Neil Young or Neil Diamond? Week 2: Chitown, What's Going On? Discuss the failure of Chicago to produce a bona fide hip-hop star despite possessing more than enough fertile neighborhoods of racial segregation and socioeconomic difficulty.

Uncover reasons why Common and West needed to move NYC-wards to attain widespread success. Week 3: First Nigga with a Benz and a Backpack.

Analyze the fast-disappearing line between mainstream and underground hip-hop, as personified by College Dropout's guest appearances, and West's personal rap style. Compare/contrast to analogous rock divisions, in regards to how rock collaborations of similar caliber (Nickelback ft. Buzof Keygen Download. Xiu Xiu?) would be greeted with indignant horror by fans. Week 4: School Spirit. Engage the anti-education themes of College Dropout's songs and skits, discussing why this particular message is greatly emphasized by West. Avant Garde Gothic Alternative Clothing.

Acknowledge the groaner irony of discussing an album's anti-intellectualism in syllabus form. So many extracurricular angles, so little time; so let's just suffice it to say that College Dropout is the first great hip-hop album of the still pre-pubescent 2004. Runner-up in its first week on the Billboard album charts only to Ravi Shankar's jazz-waif kid, the record is poised to be a huge coming-out party for one of the top producers working today, possibly even winning him the Outkast Triple Crown of acceptance from pop radio, hip-hop purists, and reactionary rock critics. Frequently delayed, retooled, overdubbed, teased on the mixtape circuit, overloaded with skits and guest stars, and dispersed in multiple misleading forms over the Internet, the retail version finally takes the form of a flawed, overlong, hypocritical, egotistical, and altogether terrific album. In a way, it's strange that West would be the first of the current producer bumper crop to find such success with his own name on the spine, with The Neptunes and Timbaland having colonized the charttops for a much longer period of time, and with much more adventurous and characteristic sounds. West's style is far less future-vision, as he typically reworks old records with the playfulness of a kid enthralled by playing 33s at 45. You can write it off as a safer or less original approach, but the sugar-high soul technique tends to be an addictive substance in West's hands, as anyone who's had the hook from 'H to the Izzo' stuck in their head for a week or eight can attest.

Toyota Ecu Flash Reprogramming Dvd Download. But Kanye's success through the studio glass is more drawn from his surprising abilities as an MC: He possesses a sizable amount of his Rocafella boss' charisma while hiding his occasional technical shortcomings with his gift for comedic timing. Mixtape downloaders have known this for a while, thanks to his whip-smart verses on 'Heavy Hitters' and 'The Good, The Bad and The Ugly', but College Dropout brings a new evidence file, whether he's probing creative tax accounting on 'We Don't Care' or puncturing the air bag of designer materialism in 'All Fall Down'. And when words fail, Kanye can always fall back on his day job, camouflaging even less-inspired lyrical moments with affably absurd beat constructions like the vocoder/strings/handclaps amalgamation that carries 'The New Workout Plan' past its lyrical juvenilia. One begins to wish there were even more examples of Kanye's mic-work, as the album is also laden with distracting guest appearance speed-bumps-- spots that safety-net the album's bottom line but dilute the spotlight on its lead performer.