Linplug Cronox 2 Serial Number
LinPlug Spectral v1.2.0 Incl Patch and Serial-R2R® While some would say that spectral and additive synthesis are not quite the same thing, the terms are often used interchangably. So what is LinPlug’s latest plugin, Spectral (VST/ AU)? Well, it’s not an iZotope Iris-style spectral synth but instead one built on an additive architecture, fronted by a subtractive interface, making it easy to use but capable of potentially more interesting sounds than a virtual analogue. Airowizard Tutorial there.
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A Spectral patch starts with four oscillator sections, each with its own filter and amp/filter envelopes. Further modulation is on tap in the shape of three more envelopes and five LFOs, assignable in the modulation matrix. There are also six effects slots with 14 types, from regular Reverb, Delay, Flanger and Chorus to the more creative Gator, Wah-Wah, Filter and Crusher, plus a dedicated Master EQ.
A powerful 32-step Arpeggiator with modulation-only mode, and a chord memory finish off the main furnishings. Each oscillator hosts two waveforms, morphed into each other using the Mix control in order to create a final waveshape. “Each wave is chosen from a library of 65 presets, many of which draw directly on LinPlug’s Alpha and MorphoX synths” Each wave is chosen from a library of 65 preset (but fully mix-and-matchable) pairs, including the familiar subtractive tropes, made by loading the same wave into each slot (Sine/Sine, Saw/Saw, etc), but dominated by more creative combos, ranging from the obvious (Pulse/Saw, Saw/ Triangle, etc) to the far more esoteric (Rich Saw/ Saw Bass, DblPulse/Spec Thin, etc). Many of these shapes draw directly on LinPlug’s Alpha and MorphoX synths and are named as such.
Activate Adobe Media Encoder Cs6 Tutorial. As well as the waveform Mix knob, each of Spectral’s oscillators also allows adjustment of Detune, Stereo spread, Symmetry, Phase and up to six-voice unison. They also each feature two cross-modulation slots, with a choice of three types of modulation – Phase (PM), Amplitude (AM) and Frequency (FM) – sourced from any of the four oscillator or filter outputs. However, the big gun in Spectral’s oscillator arsenal is the Spectral Editor, enabling you to precisely edit 256 harmonics for each wave and blend in other waveforms (see The Spectral/Filter Display).